Unpacking Kasabian's New Narrative
Serge Pizzorno, frontman of the storied band Kasabian, emphasizes the significance of storytelling in our lives. This sentiment resonates deeply as he reflects on the group's progression over nearly three decades. Sitting in his zebra-striped home office, Serge articulates a vision for their forthcoming album, ‘Act III’, which he feels encapsulates a pivotal chapter in the band's journey. “This album represents the third act of our story, where all the threads come together,” he explains, shedding light on how the past six years have culminated in this moment. Since their formation in Leicester back in 1997, Kasabian has made an indelible mark on the music scene. They’ve graced the Pyramid Stage at Glastonbury, dominated the UK album charts with seven number ones, and undergone transformational changes, notably after the departure of long-time lead vocalist Tom Meighan in 2020. In the wake of these shifts, Serge has transformed from a background figure into the band's visionary leader. By the time ‘Act III’ drops on July 17, he will have taken the helm for three of their nine albums; it’s a testament to both his adaptability and the band’s enduring legacy. “‘The Alchemist’s Euphoria’ was our first new beginning, ‘Happenings’ was the second, and now ‘Act III’ completes this trilogy,” Serge states, hinting at a conceptual depth that goes beyond mere music production. The ethos of this album reflects a relentless push forward, as evidenced by tracks like the hard-hitting ‘Hippie Sunshine’ and the sun-drenched ‘GREAT PRETENDER’. Here’s the thing: their revitalized output highlights an energetic response to a world that's demanding more from artists.Festival Season and Live Engagement
Live performances will be another key focus for Kasabian this summer. The band is geared up to headline significant music festivals, including London's Finsbury Park, which can accommodate 45,000 fans, and they’re not stopping there. They've reclaimed their status at Leeds Festival and TRNSMT, paying homage to their roots while continuously evolving. What this means for fans is a band that has not only survived but thrived, leaving a lasting impression on the music festival circuit. Serge's description of ‘Act III’ as the most efficient Kasabian album yet is intriguing. The cover art, styled like a Chanel shopping bag, reflects a sharp aesthetic that complements the album’s musical clarity. “The melodies are the most efficient way to convey emotion in a song,” he elaborates, pointing to a writing process that balances simplicity with depth. As the band pushes into new territory, Serge’s confidence in his songwriting has reached new heights: “This record is probably the strongest I’ve ever written.”The Frontman Evolution
Although his current role centers on vocals, it’s easy to forget Serge's original position as lead guitarist. With the shift in responsibilities, he's had to adapt both his stage presence and his connection with audiences. “Without the guitar, I feel more open, more connected to the crowd,” he shares, candidly expressing the vulnerabilities and insights that come from the front of the stage. Yet, he doesn’t entirely abandon his guitar roots. Tracks like ‘HYPER//RISING’, drawing on classic rock influences, still showcase the instrument's potent energy. Nevertheless, Serge acknowledges the need for personal growth: “It’s about understanding the frontman role. It’s like martial arts; you have to learn the discipline.” His current productivity appears to stem from newfound clarity and well-being, propelled by a commitment to self-care. Serge admits that the rigors of touring can be taxing: “At my age, taking care of yourself is essential.” This focus on health has rejuvenated his creativity, igniting an artistic fire within him. “I’ve never felt more alive, more excited by the art,” he states emphatically, hinting that this creative surge has fueled a more vibrant studio environment than ever before. With the promise of 'Act III', Kasabian continues to evolve, blending the lessons of the past with an unrelenting forward momentum. As Serge navigates this journey, he remains acutely aware of the interconnectedness of his story and that of Kasabian. The result is a band that stands firmly at the intersection of nostalgia and innovation, poised to capture the hearts of audiences once again.Serge Pizzorno's mindset might just be the spark that keeps Kasabian alive and kicking. Reflecting on the turbulent period following Tom Meighan's departure — when they faced the turmoil of a pandemic and personal setbacks — it felt like their journey could end abruptly. Yet here we are, six years later, and Pizzorno is more animated than ever, questioning whether that initial fear still propels his creativity. His lyrics in ‘Hippie Sunshine’ illuminate a broader concern, as he points to the paradox of modern rockstars being tech moguls escaping their realities while wielding influence over the masses.
His musical vitality, he argues, stems from his humble beginnings in Leicester, a place often dismissed as lacking potential. “The naysayers become your motivation,” he notes, recognizing that such sentiment can be corrosive. However, he finds refuge in music’s ability to transform thought and emotion. “A single song can shift your perspective dramatically,” he insists. In a passionate rebuttal to the trivialization of music as mere ‘content’, he declares it the essence of life. Just the other day, he was moved by Radiohead’s 'Let Down', evoking a euphoric response that he believes should be the driving force behind every artist's work. If his music can elicit a similar reaction, then that’s enough to ignite his passion for creation.
On ‘NOTHING BETTER THAN THIS’, he echoes his yearning for genuine connection through an infectious, pulsating chorus that reflects his artistic ethos. The thrill of live performance shone through during their surprise appearance at Glastonbury 2024, encapsulated in their iconic track, ‘Fire’. Pizzorno recalls that exhilarating moment as when “the lights turned back on” for the band, attributing life-changing significance to the show. It’s more than just nostalgia; it’s a reaffirmation of purpose.
The balancing act of entertaining festival crowds while introducing fresh material is something Pizzorno grapples with regularly. Striking this chord becomes especially challenging given the constraints of festival sets, which often clock in at around 90 minutes. Many of his newer tracks haven’t yet found their way into the coveted setlist, marred by the expectations of longtime hits. “We’ve crafted a setlist that resonates through the ages,” he muses. “But there's a risk in pushing too hard with new material.”
Serge’s approach to setlists embodies a tension between catering to the fans and pursuing creative exploration. He discusses the potential pitfalls of losing an audience when experimenting with less-known songs. Yet, the excitement of introducing something new remains a tempting proposition. The current batch of songs, he insists, is “the best collection” they've assembled, spanning their career and infused with fresh energy and ideas. His willingness to embrace influences from contemporary artists like Fred Again.. and Tyler, The Creator showcases an openness that many from his generation often shy away from.
“You have to start from scratch, absorb new experiences,” he emphasizes. He reflects on how an artist can become stagnant by merely revisiting their nostalgia. The live show dynamics demand innovation, prompting questions like “What does it mean to make this record?” for him. He confronts the conventional wisdom that can lead to complacency. Pizzorno understands the vitality of the audience's experience, reminding himself how pivotal music is—to both the performers and the fans. “I know the significance of those live moments for people,” he concludes, revealing the deep-seated sense of responsibility that fuels his performances and shapes his music-making philosophy.
‘Act III’ is due for release on September 4 through Columbia Records.
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